Showing posts with label Wiriting exercise. Show all posts
Showing posts with label Wiriting exercise. Show all posts

Friday, 1 August 2014

July 12th Session & July Writing Task

During our July session, Kuli and Nirmal talked us through the basics of life writing.

Life writing means writing about a real person or events, and falls broadly into two categories:

Autobiographical – writing about yourself
Biographical – writing about someone else

It doesn't have to be their whole life, as poems and short stories can be (auto)biographical. The point is that it's a real person and not a character the writer has made up.  
We examined some of the reasons which people might want to write about real events or people, such as:

-          Bringing a new, previously unknown perspective to events/a person
-          Telling the 'real' story of someone's life
-          Approaching someone's life with increased objectivity or subjectivity
-          Catharsis – a releasing mechanism
-          Helping others in a similar situation
-          Educating people on what it is like to live a certain way
-          Entertainment, if the life/events have been particularly funny or unusual
-          Leaving behind a record for future generations
-          Money or making a living.

And we discussed how the purpose of writing in this way will shape the writing.

Then we looked at autobiography in more detail.

As you are writing about yourself in autobiography, you have to remember that even though you know yourself well, the reader doesn’t! That means you have to treat yourself as a character. You don’t have to make anything up like you would if you were creating a character, but you do have to remember some of the key lessons we learned in our June session about effective characters.

-          Write about yourself heading for a goal
-          Be consistent in writing your reactions to situations

Also remember to write about yourself in a true-to-life way. You can leave things out, but don’t make things up about yourself or it won’t be genuine!

And don’t forget that even though this is autobiography, it still needs to be interesting for a reader, so make sure you give the writing the same attention you would a story – lots of description and creative word choices.

We then had a taster of biographical writing by doing an exercise where we wrote down a few sentences about a few people we know if real life to describe them to the group.

Biography is a lot different from autobiography because when writing about yourself you have the benefit of knowing what your feelings and thoughts are and how you react to situations. When writing about someone else, you need to know them very well. There are three main types of biography:

-          Writing about someone who you know well e.g. your mother
-          Writing about a living person who you will need to interview or spend time with to get to know
-          Writing about a dead person, who you will have to research using other texts and records

There are some similarities to autobiography though - there are some considerations we need to make:

-          Representing people fairly and realistically, not offending them, and not making things up (don't want any libel or slander cases!)

-          Keeping it interesting, as above - making sure there's progression, a storyline and description to keep the reader's interest. Keep the people involved consistent - you must know how they would have reacted to certain situations.

To practice the skills we’d discussed, we practiced writing our own obituaries! It sounds a bit morbid but is a really good way of listing all your achievements and notable points of your life. Some were a little more – ahem optimistic than others but it was great practice.

We looked at how life writing has been used throughout the ages from the ancient times to the development of film technology, as people are always interested in stories about real people!

We also looked at some common components which influence  life writing:

·         a concern for ‘truth telling’
·         memory – insight into past, present, future
·         place
·         revelation and concealment – no life can be fully recounted
·         privileged ideas and perspectives
·         context – historical, political and cultural
·         mixture of fact and fiction
·         voice – sense of person
·         variety of text types: letters, newspaper articles, photographs etc
·         allusions to religion, art and literature
·         writing and reflection to understand connections between past, present and future
·         relationships – insight into connections between past, present and future

All of these need to be considered when starting an autobiographical piece, especially if you are planning on writing an autobiography/biography of a whole life, or life to date. Once you’ve identified them, this will give you the guidelines which you will write the story within. 

Writing Task:

This month’s writing task is a little different to usual. As next month we’re visiting the Wolverhampton Art Gallery to produce responses to the artwork there, we won’t be able to share any pieces of work.

However, in September we’re having a detailed feedback session, so please send either up to 500 words of prose, or up to 6 poems to Cherry, who will circulate these to the group. We will spend a month reading them and compiling feedback which will be shared when we meet in September.





Wednesday, 2 July 2014

June 14th Session & June Writing Task

For our June session, Roma talked to us about how to create effective characters in our writing, and the benefits of doing so.

She posed us some questions to get us started thinking about a character:

-          Where does your character live/where are they from?
-          How old is your character?
-          What are your character’s mannerisms?
-          What does your character look like?
-          What does your character do for a living?
-          How does your character deal with conflict and change?
-          What is your character’s goal or motivation in this story or a particular scene?

It’s important to bear these in mind when writing as it will influence how you write your character. If your character follows behavioural patterns in accordance with the traits you’ve given them, they will come across more believable.

e.g. a character’s age will usually indicate their maturity level and wisdom which will influence how they react to certain situations.

We then had an exercise to write about one of the above questions in detail to bring our character to life.

Then we did an exercise to create a detailed personality for a character. We each took a piece of paper with 12 lines and wrote the name and age of the character at the top. Then we passed it on to the next person who answered the next question and so on…

  1. To whom does your character turn to for advice?
  2. Write one word that your character would use to describe themselves.
  3. Write one word other people would use to describe them.
  4. Write about a frightening situation or moment from their childhood.
  5. What is their best trait?
  6. What is the first thing other people notice about them?
  7. Describe an incident they’d rather forget.
  8. Who is their best friend?
  9. How do they express anger?
  10. What is their weakness?
  11. What is their relationship with food/body image?
  12. What music do they like?

We ended up with some quite eccentric characters this way! Not everybody looked at the previous answers to line up a believable character but it was good fun to see how people’s minds worked together to create a character from nothing more than a name and age.

Next we looked at how to create villainous characters! We explored 3 examples – Voldemort from the Harry Potter series, Mr Hyde from The Strange Case of Dr Jekyll & Mr Hyde, and Maleficent from Sleeping Beauty. We discussed what made them effective villains.

-          Credibility – most villains are powerful, which allows them to cause problems for the protagonist, and also means they often have followers or minions to help with their evil deeds.
-          Believable motivation/goals – there must be a reason the character has decided to act in this way. What are their goals – power? Wealth? Revenge?


However, antagonists aren’t always ‘bad guys’. Sometimes they’re just opposing viewpoints to the protagonist. From their point of view, YOUR protagonist is THEIR antagonist.  A back story explaining their motivation and goals can make them more likeable, if you don’t want them to come across too villainous.

With this in mind, we created a brief back story for one of the following characters:

Ruby – a young socialite who seduces men for money
James – a teenage bully in a local school
Mark – a corporate boss who9 disrespects his workers and never show gratitude
Agnes – a mistress who is bitter and spiteful to her lover’s wife

This helped us to remember that antagonists are characters too, and that they should also have believable goals and characteristics, just like ‘good’ characters. Otherwise they will be one-dimensional and clichéd.

Thanks Roma for a very useful session!

Can you create a piece of writing using a character you’ve built up using these techniques? Bring it with you next session to share with the group.

Join us next month to learn about Life Writing, led by Kuli and Nirmal.

And don’t forget Kuli’s booklet, Rag Doll, is still available to order. J

Sunday, 16 March 2014

Who-What-When-Where-How list

Here’s a list of words you can use if you’re playing the Who-What-When-Where-How game for inspiration. Print them out and cut them up to pick randomly, then populate into the sentences below as an opening to a short story. The words give you the Who, What, When, Where and How. Your aim is to explain the Why in your story.

Who

The princess

David Cameron

Batman

Lionel Richie

A small child

The evil count

A tiger

A pack of wolves

Mystic Meg

Santa Claus

What

Skirt

Stereo

Cat

Bible

Concert tickets

Ransom note

Popcorn

Tin of beans

Fishing Rod

When

Ancient Egyptian

Victorian

Gregorian

1920s

Post-war

Prehistoric

30th Century

Roman

Tudor

Jurassic

Where

Beach

Cattle market

Swamp

Pig farm

Garden shed

Board room

Monastery

Drafty barn

Holiday camp

Steam room

How

In terror

Angrily

Lazily

Enthusiastically

Joyfully

In despair

Nervously

Noisily

Quietly

In a panic




The sentences we used were:

(Who) clutched the (What) and ran (How) through the (When) (Where).

and

Speaking (How) in the (Where), (Who) gestured at the (When) (What).

Have fun!