Tuesday 23 June 2015

Anthology Update - July 11th Workshop

We have an exciting opportunity for members of the public to join us for our July session. Shopshire-based poet and publisher Simon Fletcher will be running a workshop on the theme of 'My Place', which will encompass home, location and self, which sits nicely with the the theme of our anthology - 'identity'.

We will be welcoming submissions to the anthology from non-members off the back of this workshop, so if you or anyone you know fancies coming along, please get in touch on blakenhallwriters@gmail.com as spaces are limited!

The workshop will be held on Saturday 11th July between 11:00 and 13:00 in room 5 of The Old School, Dudley Rd, WV2 3BY. It would be lovely to see you!







Monday 22 June 2015

Our member Kuli Kohli featured on Leavener's Poet's Corner and Disability Arts Online!

Our member Kuli Kohli was selected as the May poet of the month on Leaveners' new Poet's Corner. She had the privilege of being the first guest poet, and now that the month is over, we wanted to share all her work which was displayed on the site throughout the month, and the lovely illustrations which accompanied them. Read her work here, and more about Leaveners here.

Kuli's story and a selection of her poetry have also been featured on Disability Arts Online, a site which showcases and encourages the expression of disability through creativity.

Well done Kuli, what a great chance to showcase your work!

Offa's Press 'The Poetry of Staffordshire'

Offa's Press, a Shropshire-based publisher who we at Blakenhall have worked with frequently in the past (the Manager, Simon Fletcher, used to run our group!), are compiling an anthology containing poetry written about the country of Stafforshire.

Following on from their successful 2013 anthology 'The Poetry of Shropshire', Offa's Press are inviting submissions between 15th June and 15th August of poetry relating to places, people and the history os Staffordshire.

If you'd like to submit some poetry for consideration, here are some inspirational things from Staffordshire to get your creative juices flowing:

- Cannock Chase

- Stoke Potteries

- The Peak District

- Staffordhire Bull Terriers

- Staffordshire Oat Cakes

- Litchfield Cathedral

- Stafford Castle

- Staffordshire & Worcestershire Canal

- Shugborough House & Estate

- National Memorial Arboretum

- Josiah Wedgwood

Why not visit the lovely county of Staffordshire to see what it's all about?

Further submission details can be found on the Offa's Press website. Good luck with all your submissions!

June 13th Session - Settings

Settings are important for all writing. Whatever your piece is about, and whether you're writing poetry, prose or plays, it's got to be set somewhere. The way you create settings in your piece has a big impact on your audience. If you do it right, you can set the mood for your piece and create tension, drama and emotion. If you do it wrong, well, the audience will struggle to follow your piece.

We held a workshop on how to describe settings at our June session. Firstly, we had to source some settings to write about. Some of us went out and about into the local area to take photos of things of interest. Where we meet at Blakenhall Community and Healthy Living Centre, we are in some interesting surrounds, such as a Sikh temple, an empty church, some abandoned industrial buildings and a park. Some of us looked through books to find pictures of settings which inspired us.

We had a think about what a 'setting' actually is. It's where a story takes place isn't it? It's a bit more than that. A setting can encompass the 'where' but also the 'what' and 'when.'  

Where? - Country, town, street, house?

What? - A room, a car, a tree?   

When? - Era (current day, historical, future), season/weather, time of day?  

We wrote a few lines on our settings - just what we could see at first glance. But creating a setting is much more than just what you can see. We did an exercise where we imagined that we had been kidnapped, blindfolded, and left in a room. How would you describe that room to someone, when you couldn't see anything? You have to use the other 4 senses:

What can you hear? - Noises can give a lot away. Can you hear traffic, voices or footsteps? Or can you hear birdsong or running water?

What can you smell? - Are there any distinctive smells which remind you of a specific place? Food cooking, greenery, chemicals?

What can you taste? - Are any of the smells so strong you can actually taste them? Are you eating? 

What can you feel?  - Is the surface hard or soft? Is it warm or cold? Are you outside or inside? 

Using all five senses to describe a setting really immerses the reader in the situation. It can make them imagine it very vividly!

Those of us who have all five of our senses tend to notice the things we can see first of all. But do we look past the details and see the overall? Do we see the blue sky and green hills instead of the birds flying and the flowers blooming? Our next exercise was to take our original setting and 'zoom in' until we could see the tiniest details (or imagined we could!) Then we wrote about those. 

It can be easy to think that everyone is familiar with the settings we're describing - or forget that some people won't be. Our last exercise was to imagine a setting we were familiar with - somewhere we go very frequently. Then we imagined taking someone there who'd never been there before. What would they notice about the place?

 So describing settings can be beneficial for your writing as it gives the reader lots of information about where and when your writing takes place. But what we learned is that you have to be careful about how to incorporate them into your writing - you need to ensure your audience can understand the setting through describing it effectively. You also need to incorporate all five senses into the description to heighten the impact of the setting. I think we're all a bit more confident in writing about settings now - I hope you are too.  

April & May Sessions - The Importance of Feedback

During April and May we ran our annual 'Feedback Sessions'. We trialled it last year and it seemed to be very useful for our members so we decided to give it another go. We asked our members to forward some poems or prose which they felt they needed another opinion on. We then distributed these to the rest of the group and allowed a month to read through, reflect, and think of some constructive comments for each piece. Then, when we met up, we gave this feedback in person. We spread this over two months to try and encompass anyone who could only attend either one of the sessions.

We feel that feedback is invaluable to our members in their aims to improve their work. It's always useful to have a second pair of eyes look over your work. It can have many benefits:

- Others may pick up on little mistakes you've overlooked, e.g. spelling/grammar, a misused word, a missing rhyme etc.

- Readers can let you know whether they feel that your work is 'accessible.' That means whether they can understand and follow your work. Some people think that 'good' writing means using lots of long words, but not everyone will understand these. Most people want to write for an audience - they want other people to enjoy their work. If your audience can't understand your work, they won't enjoy it, so it's worth listening to what they have to say!

- Your audience may interpret your work in a different way to how you intended. Because you have written the words with the 'message' of the piece in your head, you can't accurately assess whether it gives an audience enough information to get the point of the piece. e.g. If you have written a murder mystery, you will already know who the killer is while writing. But have you made it too obvious or too obscure who the killer is in the story? Your audience can tell you.  

- Some people who might have more experience in writing might give you feedback to technically improve your work. This could be publishers/mentors/editors etc. They know what kind of work is likely to get published, so if you want to become published, they could have some valuable tips for making your writing flow well. They've got to where they are by learning and taking on feedback, so they're looking to impart their knowledge on you.

As you can see, feedback can be a real chance to learn something about an individual piece of work, or your writing in general. But what if different people give you conflicting feedback? What if you don't agree with their feedback? 

Well, the bottom line is that you are the only one who can make decisions on your work. Feedback is nothing more than suggestions, although some of it can be suggestions backed by experience and good practice. You have to consider every piece of feedback and think "will this benefit my work and take it in the direction I want it to go?" It's up to you to make that assessment. It's your work and your responsibility - you don't have to change anything you don't want to. 

So we know feedback is important, but what if someone asks you to give feedback? Will they think you're being mean about their work? Where do you start?

Well, at Blakenhall Writers we have an understanding and sympathetic method of giving feedback. We make sure our members know that we are not criticising an individual when giving feedback, but merely suggesting how their work could be improved, in our opinion. From there on, as we said above, it's up to the member to decide whether or not to edit their work based on feedback received.

If someone requests that you give them feedback, make sure you have an understanding in place with them that they are willing to receive 'constructive criticism', or even offer some work of your own if you can, for them to review in return. Most of the time if you are approached to give feedback, the person will understand the importance of feedback, but some people will just want to be told how good their work is, so set the ground rules beforehand to make sure you don't ruffle any feathers ;)

You might not have had to think critically about a piece of writing before. It's not just about what could be improved in the piece, but also what works well, and what the writer's strengths are. Don't forget you can read through a piece as many times as it takes to form your opinions on it. Here are some tips to keep in mind when reading through work.

- What is the first think that strikes you about the piece/what is the most memorable part? It might be that one thing doesn't strike you, so give it a read through, and then in ten minutes or so, think back to what you remember about the piece. Was there a stunning image, and fun ending, a surprise?

- What did you enjoy about the piece? Which parts flowed well, and were enjoyable?

- Were there any parts which felt awkward or out of place? Can you figure out why they felt awkward in the piece?

- Can you pick out any writing techniques the author has employed, and do they work well in the piece? e.g. rhymes, alliteration, metaphor. These can add real colour to a piece, but sometimes they aren't effective.

- Did you understand what the piece was about? This is the mark of whether a piece is written effectively or not. 

Hopefully feedback seems a lot less daunting now. It's a really useful tool for writers to learn from and interact with each other, and shouldn't be discounted, regardless of whether you agree with a person's opinions or not. Enjoy sharing your work with others to find out what they think of it. :)